https://hyu.wiki/index.php?action=history&feed=atom&title=%EC%9D%8C%EC%95%85%EC%97%B0%EA%B5%AC%EC%86%8C%2F%EC%97%B0%EA%B5%AC%EA%B3%BC%EC%A0%9C 2026-06-22T20:44:51Z 이 문서의 편집 역사 MediaWiki 1.34.1 https://hyu.wiki/index.php?title=%EC%9D%8C%EC%95%85%EC%97%B0%EA%B5%AC%EC%86%8C/%EC%97%B0%EA%B5%AC%EA%B3%BC%EC%A0%9C&diff=10038&oldid=prev 2019-09-18T02:06:12Z

<p><span dir="auto"><span class="autocomment">연구과제</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="ko"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← 이전 판</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">2019년 9월 18일 (수) 02:06 판</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >1번째 줄:</td> <td colspan="2" class="diff-lineno">1번째 줄:</td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">==</del>연구과제<del class="diffchange diffchange-inline">==</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>연구과제</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">등재학술지 발간 지원 사업(음악논단) 정경영 </del>2011.04.01~2012.3.31 <del class="diffchange diffchange-inline">교내 5,000,000</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>2011.04.01~2012.3.31 등재학술지 발간 지원 사업(음악논단)<ins class="diffchange diffchange-inline">, </ins>정경영<ins class="diffchange diffchange-inline">, 교내</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>등재학술지 발간 지원 사업(음악논단) 정경영 2012.05.01~2013.04.30 <del class="diffchange diffchange-inline">교내 7</del>,<del class="diffchange diffchange-inline">000</del>,<del class="diffchange diffchange-inline">000</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>2012.05.01~2013.04.30 <ins class="diffchange diffchange-inline">등재학술지 발간 지원 사업(음악논단)</ins>, <ins class="diffchange diffchange-inline">정경영</ins>, <ins class="diffchange diffchange-inline">교내</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">국제학술대회 개최 지원 사업 권송택 </del>2011.10.28~2011.10.29 <del class="diffchange diffchange-inline">교내 10</del>,<del class="diffchange diffchange-inline">000</del>,<del class="diffchange diffchange-inline">000</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>2011.10.28~2011.10.29 <ins class="diffchange diffchange-inline">국제학술대회 개최 지원 사업</ins>, <ins class="diffchange diffchange-inline">권송택</ins>, <ins class="diffchange diffchange-inline">교내 </ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">제4회 국제 바흐 페스티벌 권송택 </del>2011.10.23~2011.10.31 <del class="diffchange diffchange-inline">한국문화예술위원회 30,000,000</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>2011.10.23~2011.10.31 <ins class="diffchange diffchange-inline">제4회 </ins>국제 바흐 페스티벌<ins class="diffchange diffchange-inline">, </ins>권송택<ins class="diffchange diffchange-inline">, 한국문화예술위원회</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">제3회 </del>국제 바흐 페스티벌 권송택 2009.10.16~2009.10.31 <del class="diffchange diffchange-inline">한국문화예술위원회 30</del>,<del class="diffchange diffchange-inline">000</del>,<del class="diffchange diffchange-inline">000</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>2009.10.16~2009.10.31 <ins class="diffchange diffchange-inline">제3회 국제 바흐 페스티벌</ins>, <ins class="diffchange diffchange-inline">권송택</ins>, <ins class="diffchange diffchange-inline">한국문화예술위원회</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">2009 학술지 발간 지원금 권송택 </del>2009.01.01~2009.12.31 <del class="diffchange diffchange-inline">한국연구재단 1,627,000</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>2009.01.01~2009.12.31 <ins class="diffchange diffchange-inline">2009 </ins>학술지 발간 지원금<ins class="diffchange diffchange-inline">, </ins>권송택<ins class="diffchange diffchange-inline">, 한국연구재단</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">2010 </del>학술지 발간 지원금 권송택 2010.01.01~2010.12.31 <del class="diffchange diffchange-inline">한국연구재단 2,430,000</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>2010.01.01~2010.12.31 <ins class="diffchange diffchange-inline">2010 </ins>학술지 발간 지원금<ins class="diffchange diffchange-inline">, </ins>권송택<ins class="diffchange diffchange-inline">, 한국연구재단</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">2011 </del>학술지 발간 지원금 권송택 2011.01.01~ 2011.12.31 <del class="diffchange diffchange-inline">한국연구재단 3</del>,<del class="diffchange diffchange-inline">430</del>,<del class="diffchange diffchange-inline">000</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>2011.01.01~ 2011.12.31 <ins class="diffchange diffchange-inline">2011 학술지 발간 지원금</ins>, <ins class="diffchange diffchange-inline">권송택</ins>, <ins class="diffchange diffchange-inline">한국연구재단</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>서양음악사에서의 ‘전고전주의’：전환기인가, 독자적 양식기인가?</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* 2008.09~2011.08 </ins>서양음악사에서의 ‘전고전주의’：전환기인가, 독자적 양식기인가?<ins class="diffchange diffchange-inline">, </ins>나주리<ins class="diffchange diffchange-inline">, </ins>한국연구재단</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>나주리 <del class="diffchange diffchange-inline">2008.09~2011.08 </del>한국연구재단</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==학술논문==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==학술논문==</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 권현석. “인식의 ‘모빌리티’의 이론과 실제: &lt;강남스타일&gt;의 패러디 하위문화의 분석을 근거로.” 『음악과 문화』 제34집(2016), 5–33.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 김경화. “사운드스케이프와 음악의 만남: 《런던의 외침》(''Cries of London'') 전통에 대한 베리오의 재해석.” 『음악논단』, 제35집(2016), 215–60.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 정경영. “몬테베르디의 음악에서 나타나는 ‘순환적’ 공간과 ‘직선적’ 공간: 《오르페오》 3막의 “위대한 정령이여”(Possente Spirto)를 중심으로.” 『음악이론연구』 제26집(2016), 8–31.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 계희승. “세스토의 아니마, 비텔리아의 아니무스: 모차르트 론도 아리아에서 듣는 내면의 소리.” 『서양음악학』 제20-1호(2017), 71–98.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 권송택. “말러의 초기음악에 나타나는 공간성.” 『음악논단』 제36집(2016), 131–164.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 김경화. “노이즈 듣기: 20세기의 청각 문화 안에서 소음의 소리 정체성.” 『음악이론연구』 제27집(2016), 140-163.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 정경영. “충돌하는 매체의 역사성: 딘디아(Sigismondo d’India)의 《올림피아의 라멘토》(''Lamento d’Olimpia'', 1623)에 사용된 가사와 음악.” 『음악이론연구』 제27집(2016), 8–33.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 정경영. “‘Voce si amara,’ 몬테베르디의 소음: ≪포페아의 대관≫(''L’incoronatione di Poppea'', 1642)의 1막 3장을 중심으로.” 『이화음악논집』 제20집, 3호(2016), 1–34.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 정혜윤. “음악적 표현성에 대한 확장된 형식의 시뮬레이션 이론.” 『인문논총』 제74-1호(2017), 309–344.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 계희승·임종우. “Excavating the History of Electroacoustic Music in Korea, 1966–2016.” ''Contemporary Music Review'' 37, nos. 1–2 (2018): 174–87.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 계희승. “벤자민 브리튼과 나사의 회전 소리, 혹은 ‘해석’의 전회.” 『음악이론포럼』 제24-2호(2017), 71–94.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 계희승. “바실리오와 피가로는 무엇을 들었는가? 오페라, 혹은 엿듣기의 예술.” 『음악논단』 제38집(2017), 1–33.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==학술대회 발표 논문==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==학술대회 발표 논문==</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 계희승. “(Re)sounding the Virtual: Hearing the Voice of Hatsune Miku.” [http://conferences.au.dk/soundart2016/ Sound Art Matters], International Conference, Aarhus University, Denmark, June 1–4, 2016.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 권현석. “Asian Identity in Motion: A Case Study of Korea-Based Asian Music Ensemble.” [http://aas-in-asia-doshisha.com/ Association for Asian Studies (AAS) in Asia], Doshisha University, Kyoto, Japan, June 23–27, 2016.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 권현석. “Cultural Conditions of the Soundscape of ‘In-Between’ Space: A Case Study of Korea’s Incheon International Airport.” [http://conferences.au.dk/soundart2016/ Sound Art Matters], International Conference, Aarhus University, Denmark, June 1–4, 2016.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 김경화. “사운드스케이프와 음악의 만남: &lt;Cries of London&gt; 전통에 대한 베리오의 재해석.” 〈움직이는 소리, 들리는 공간: 탈근대의 소리연구〉. 한양대학교 음악대학 리사이틀홀. 2016년 6월 22일.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 정경영, 권송택, 계희승, 권현석, 김경화. “Noise Matters: Politics of Marginal Sounds.” Round Table, [http://www.ica2016.org/main/main.php 20th International Congress of Aesthetics]. Seoul National University, Korea, July 24–27, 2016.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 계희승. “그래봤자 음악, 그래도 음악: 게임 음악(학)이 들려주는 소리들.” 〈다시 듣다〉(RE:HEARING_ From the Virtual to the Real). 한양대학교 음악대학 리사이틀홀. 2017년 6월 10일.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 계희승. “Soundscape of the Future in Sci-fi Film: The ‘Aural’ Gaze and the Dissolution of Subjectivity.” [http://ims2017-tokyo.org/ 20th Quinquennial Congress of the International Musicological Society], Tokyo University of the Arts, Japan, March 19–23, 2017.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 권현석. “사이공간 소음의 사회적 기능에 관한 연구: 인천공항의 사례를 중심으로.” 〈다시 듣다〉(RE:HEARING_ From the Virtual to the Real). 한양대학교 음악대학 리사이틀홀. 2017년 6월 10일.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 권현석, “The Korea’s Fusion Soundscape and a Common View on Live Performance: A Case Study of the Korean Ensemble Jambinai.” [http://www.aas-in-asia2017.com/ Association for Asian Studies (AAS) in Asia], Korea University, Seoul, Korea, June 24–27, 2017.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 김경화. “노이즈의 역설: 유토피아적 실현이가, 디스토피아적 상상인가.” 〈다시 듣다〉(RE:HEARING_ From the Virtual to the Real). 한양대학교 음악대학 리사이틀홀. 2017년 6월 10일.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 정경영. “영화로 다시 듣는 몬테베르디: &lt;The Full Monteverdi&gt;(2007)의 목소리(들).” 〈다시 듣다〉(RE:HEARING_ From the Virtual to the Real). 한양대학교 음악대학 리사이틀홀. 2017년 6월 10일.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 하승완. “클래식과 대중음악의 상호침투: 음악 문화적 매체의 영향.” 〈소리가 매체를 만났을 때: 기술, 방법, 이데올로기〉. 한양대학교 음악대학 리사이틀홀. 2016년 11월 26일.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 계희승. “The Fellowship of the Sound(tracks): How the Regalia Became a Place to Unwind in ''Final Fantasy XV''.” Music &amp; The Moving Image XIII, New York University, May 24–27, 2018.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 계희승. “Why was Bruce Listening to ‘Casta diva’? Soundtrack as a Sonic/Sonified Conscience in ''Avengers: Age of Ultron''.” [http://mrc.hanyang.ac.kr/rethinking-sound/ Rethinking Sound 2018: An International Conference], Hanyang University, Seoul, March 30–31, 2018.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 권현석, “A Spatial Function of On- and Offline White Noise in the Fourth Industrial Revolution: A Case Study of Korea’s Incheon International Airport.” [http://soundingout2017.com/ Sounding Out the Space: An International Conference on the Spatiality of Sound], Dublin School of Creative Arts and GradCAM, Dublin, Ireland, November 2–4, 2017.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* 권현석. “사운드워크(Soundwalk) 소리 교육에 대한 적용 가능성 연구.” 세계음악학회 &amp; (재)월드뮤직 공동주최 학술대회. 예술가의 집 다목적홀. 2017년 9월 30</ins></div></td></tr> </table>

Wony https://hyu.wiki/index.php?title=%EC%9D%8C%EC%95%85%EC%97%B0%EA%B5%AC%EC%86%8C/%EC%97%B0%EA%B5%AC%EA%B3%BC%EC%A0%9C&diff=10037&oldid=prev 2019-09-18T02:01:03Z

<p>새 문서: ==연구과제== 등재학술지 발간 지원 사업(음악논단) 정경영 2011.04.01~2012.3.31 교내 5,000,000 등재학술지 발간 지원 사업(음악논단) 정경영 2012.0...</p> <p><b>새 문서</b></p><div>==연구과제==<br /> 등재학술지 발간 지원 사업(음악논단) 정경영 2011.04.01~2012.3.31 교내 5,000,000<br /> 등재학술지 발간 지원 사업(음악논단) 정경영 2012.05.01~2013.04.30 교내 7,000,000<br /> 국제학술대회 개최 지원 사업 권송택 2011.10.28~2011.10.29 교내 10,000,000<br /> 제4회 국제 바흐 페스티벌 권송택 2011.10.23~2011.10.31 한국문화예술위원회 30,000,000<br /> 제3회 국제 바흐 페스티벌 권송택 2009.10.16~2009.10.31 한국문화예술위원회 30,000,000<br /> 2009 학술지 발간 지원금 권송택 2009.01.01~2009.12.31 한국연구재단 1,627,000<br /> 2010 학술지 발간 지원금 권송택 2010.01.01~2010.12.31 한국연구재단 2,430,000<br /> 2011 학술지 발간 지원금 권송택 2011.01.01~ 2011.12.31 한국연구재단 3,430,000<br /> 서양음악사에서의 ‘전고전주의’：전환기인가, 독자적 양식기인가?<br /> 나주리 2008.09~2011.08 한국연구재단<br /> ==학술논문==<br /> ==학술대회 발표 논문==</div>

Wony